“Color is fooling us all the time”, so said color theorist
and painter extraordinaire Josef Albers.
Josef Albers (1888-1976) a German painter, who taught at the Bauhaus, is
best known for this minimalist paintings, advances in art education and
influence in the study of color theory.
Color study for Homage to the Square by Josef Albers , oil on paper, date unknown.
In September I had the pleasure of attending an exhibition
of Albers’ works on paper at the Morgan Library in New York. The show was intriguing in that it featured eighty of Albers’
works on paper. His working sketches if
you will. They offered insight into his
process of his signature style geometric painting.
Color study for Homage to the Square by Josef Albers , oil on paper, date unknown.
Josef Albers had a stellar career in art education transforming
ideas on color theory. He taught at the Bauhaus, from 1923-1933, with such
luminaries as Wassily Kandinsky, Oskar Schlemmer and Paul Klee, under the
direction of Walter Gropius. In 1933 he emigrated to the United States and became
director at the Black Mountain College in North Carolina, where his students
included Robert Rauschenberg and Cy Twombly. Finally in 1950 he landed at Yale University
for the duration of his career. This is where he would spend the next 25 years
experimenting with color and his geometric paintings.
Color study for Homage to the Square by Josef Albers , oil on paper, date unknown.
Albers is best known for his abstract painting of
overlapping squares featuring color harmonies.
He never mixed his colors, but rather used color directly from the tube
applied carefully with a palette knife.
His small scale, hard edge, symmetrical compositions were a response to
the large and gestural works of the abstract expressionists and he would go on
to influence movements such as minimalism and op art.
Color study for Homage to the Square by Josef Albers , oil on paper, date unknown.
From 1950 until 1976 Albers focused on his homage to the
square or as he said “I am not paying “homage to the square”. It’s only the dish I serve my craziness
about color in”.
Color study for Homage to the Square by Josef Albers , oil on paper, date unknown.
Indeed Albers was not crazy, but methodical in his
observations on color harmonies. He
noted on each piece what colors he used and what manufacturer made the paint,
he annotated his use of varnish and other medium “I am not an acrobat in my painting. I am a cook”.
Josef Albers, oil on canvas, Hirschhorn Museum, date unknown.
The catalog for this exhibition “Painting on Paper, JosefAlbers in America” includes a few fascinating essays by Heinz Liesbroc, Michael
Semff and Isabelle Dervaux.
Another fantastic post! Thanks so much for sharing his work!
ReplyDeleteLiz
Oh, I love these! I have a really strong, positive, emotional reaction to them, like they resonate and light up something deep within, and make me feel good. Thank you for sharing this, Marie!
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