Showing posts with label Bernini. Show all posts
Showing posts with label Bernini. Show all posts

Monday, January 21, 2013

"Bernini Sculpting in Clay" at the Metropolitan Museum of Art


“You need to draw using your eye-that is, imprint everything in your mind-and always make sketches and drawings of your different ideas…”

So said sculptor and architect Gian Lorenzo Bernini (1598-1680) in 1673.  Bernini is best known for his dramatic sculptures that adorn his native city of Rome. Bernini is credited with starting the Baroque movement in sculpture, a hallmark of which is his masterpiece “Ecstasy of Saint Theresa”created in 1652.  This piece can be viewed in the Cornaro Chapel, in the church Santa Maria della Vittoria, Rome.

                   "Ecstasy of St. Theresa", 1652, Santa Maria della Vittoria, Rome.

When you see Bernini’s theatrical and life like sculptures it is natural to wonder what his process was. In December I saw a comprehensive exhibition that shed light on the way Bernini worked.  The exhibition was “Bernini Sculpting inClay” at the Metropolitan Museum of Art and it featured 39 terracotta models, or “three-dimensional sketches”, created by the the master.  These small clay models are bold, expressive and animated. Numerous drawings accompany the models and aid in understanding Bernini’s thought process.

                         Terracotta bozetto for "Ecstasy of St. Theresa", 1647-1652.

One of the most impressive “bozettos” in the show is a lion modeled for the “Fountain of Four Rivers” (1651) in Piazza Navona in Rome.  As Bernini suggests in the above quote he modeled the lion from his "mind’s eye", a naturalistic lion exaggerated in its anatomy and expression!

              Terracotta bozetto for the Lion on the "Fountain of Four Rivers", 1649-1650.

The largest terracotta in the show is a bozetto for the “Fountain of the Moor”, 1655, Piazza Navona, Rome. This dramatic, twisting piece embodies the energy of the figure and highlights Bernini’s way of describing textures-muscle, skin, hair, shell, dolphin and scales.  

                          Terracotta bozetto for "Fountain of the Moor" 1653.

It has been suggested that Bernini made 1000s of these terracotta sculptures, however not considering them finished works of art, but rather ‘sketches” he didn’t preserve them.  Only 52 remain intact.

For more info on Bernini’s life view this video from the Simon Schama BBC series “The Power of Art”.
http://www.youtube.com/watch?v=95_7l87prmI

I recommend the exhibition catalog "Bernini Sculpting in Clay" by C.D. Dickerson, III, Anthony Sigel and Ian Wardropper.

Wednesday, January 2, 2013

Topics for 2013


Happy New Year!  As we begin the new year I have been brainstorming about blogging topics for 2013.  I was in New York for a few days and I plan on blogging about some amazing exhibitions I saw and plan on visiting.  Among them are the “Bernini, Sculpting in Clay” and “Matisse: True Painting” at the Metropolitan Museum of Art

Bernini's terracotta sculpture model for the "Lion on Four Rivers Fountain" 1649-50. From the  exhibition at the Metropolitan Museum of Art.


The “Beatrix Potter, The Picture Letters” and “Durer to de Kooning” exhibitions at the Morgan Library are worth discussion and exploration.  The Frick’s “Mantegna to Matisse, Master Drawings from the Courtauld Gallery” and MoMA’s “Inventing Abstraction” look fascinating.  The National Gallery of Art’s upcoming French drawing exhibition “Color, Line, Light: French Drawings, Watercolors, and Pastels from Delacroix to Signac” is much anticipated for it’s varied collection.

Pastel drawing by Auguste Louis Lepere, 1900.  From exhibition "Color, Line, Light: French Drawings from Delacroix to Signac" at the National Gallery of Art.


 I plan on continuing to blog about master drawing techniques , such as pen and ink and wash and red chalk.  As I prepare my 2014 Vesalius Trust“Art and Anatomy” tour to Greece and Italy I will continue to blog about Andreas Vesalius whose 500th anniversary is next year! To reflect the focus of my blog I have added "Art and Anatomy" to my title.

Pen and ink drawing by Jacques Bellange, 1610. From the "Durer to de Kooning" exhibition at the Morgan Library.


Thanks for reading, commenting and joining me on my art and anatomy travels!