Watercolor Wash Drawing with Robert Liberace

As many of you know I frequently blog about master drawings and the process of how they were created.  I am currently taking a master drawing techniques class at the Art League in Alexandria, Virginia.  The instructor, the renowned Robert Liberace, is an accomplished painter, draughtsman and sculptor.

                   Model Lily Dunlap with Robert Liberace as he sets up the pose.

In todays class Liberace created two very different portraits using watercolor washes.  The portraits were of my husband and daughter who modeled in 18^th costume.

              Robert Liberace working on painting of Lily in 18th century costume.

For Liberace the process starts with setting up the pose and lighting.  As he choreographs the pose he thinks about the light, form, pattern and composition.  For the watercolor painting he did of Lily he used a monochromatic watercolor wash on Twinrocker handmade paper.  Watercolor wash, unlike ink wash, can be moved around and manipulated, ink wash tends to stain the paper.

                         Watercolor wash painting of Lily by Robert Liberace.

As Liberace builds up the form he is conscious of not over working the dress, he wants to keep the image fresh and fluid.  He lets the white of the paper show through as the highlights and lighter values. he uses dark accents to describe areas of shadow.  The fluidity of his brushwork is remeniscent of Tiepolo. The figure’s dress and pose recall Rococo artists such as Watteau and Fragonard.

                                      Sam Dunlap posing as a buccaneer.

For the watercolor portrait of Sam, as a buccaneer, Liberace started with a light graphite sketch and progressed to blocking in the flat areas of color with light washes.  As he worked he carefully observed the model and the nuances of light, shadow and color temperature.  The resulting portrait is a sensitive study, done with a confident and energetic brushwork, that captures the character of the sitter.

                      Watercolor wash portrait of Sam by Robert Liberace.

Three Colored Crayon Technique Workshop with Robert Liberace, Studio Incamminati, Philadelphia, PA PART 1

This past weekend I spent three days at the Studio Incamminati in Philadelphia attending a workshop with Robert Liberace on the three colored crayon technique. The three colors are back, white and red (terra cotta).

This technique has been used for centuries by artists such as Hans Holbein, Peter Paul Rubens and Antoine Watteau. Below are some examples of how they used this technique.



"Young woman Looking Down" by Peter Paul Rubens, 1628.



"Sir Thomas Elyot" by Hans Holbein, 1527.

In class Rob demonstrated two techniques for using the three crayons. I will review the first technique today and the second technique tomorrow.



Three crayon technique drawing by Robert Liberace.

The first technique utilizes hard colored pencils (Prismacolor "Verithins" work well)
in black, white and terra cotta on a text weight hand made paper (Twinrocker is ideal). The paper is prepared with a light watercolor wash in yellow ochre and sealed with a coat of amber shellac (with denatured alcohol mixed in). This hardens the paper and gives it a tooth so you can layer the pencil.



First stage of Rob's demo, with figure blocked in using terra cotta Verithin pencils.



Second stage as Rob builds up the form using the terra cotta color and adds black.



The final stage as form is built up using terra cotta and black and white highlights are added. Highlights can also be erased out used a typewriter eraser.



Three crayon drawing by Marie Dauenheimer.